Wharton Panels at ALA 2013

Edith Wharton Panels at ALA 2013

Friday May 24, 2013 8:10 – 9:30 am

Session 7-A Edith Wharton and Cosmopolitanism (Essex North East 3rd Floor)

Organized by the Edith Wharton Society

Chair: Emily Orlando, Fairfield University

1. “Edith Wharton’s Old New York: The Autobiography of an Expatriate,” Hildegard Hoeller, CUNY-CSI and the Graduate Center

2. “‘she was learning how to make hats’: Negotiating New York City in The House of Mirth and Free Food for Millionaires,” Johanna X. K. Garvey, Fairfield University

3. “‘I want a girl who doesn’t know what a Duke is’: The Buccaneers and Models of Cosmopolitan Thought,” Melanie Dawson, College of William and Mary

4. “Contexts Engendering Texts: Edith Wharton’s The Age of Innocence and Francesca Segal’s The Innocents,” Ferdâ Asya, Bloomsburg University of Pennsylvania

Friday May 24, 2013 9:40 – 11:00 am

Session 8-F Undine at 100: A Centennial Reappraisal of The Custom of the Country (Defender 7thFloor)

Organized by the Edith Wharton Society

Chair: Cecilia Macheski, LaGuardia Community College, CUNY

1. “A Novel for All Seasons,” Susan Goodman, University of Delaware

2. “Gate-Crasher par excellence: Undine and the 'Aborigines' in The Custom of the Country,” Maureen E. Montgomery, University of Canterbury, New Zealand

3. “Finding Undine: Narrative Sources and Strategies for The Custom of the Country,” Laura Rattray, University of Glasgow

4. “Technologies of Information: Gossip, Self-Revelation, and Social Media in Wharton'sThe Custom of the Country,” Gary Totten, North Dakota State University



Session 10-P Business Meeting: Edith Wharton Society (Baltic 7th Floor)

Wharton Panels at ALA 2013

Edith Wharton Panels at ALA 2013

Friday May 24, 2013 8:10 – 9:30 am

Session 7-A Edith Wharton and Cosmopolitanism (Essex North East 3rd Floor)

Organized by the Edith Wharton Society

Chair: Emily Orlando, Fairfield University

1. “Edith Wharton’s Old New York: The Autobiography of an Expatriate,” Hildegard Hoeller, CUNY-CSI and the Graduate Center

2. “‘she was learning how to make hats’: Negotiating New York City in The House of Mirth and Free Food for Millionaires,” Johanna X. K. Garvey, Fairfield University

3. “‘I want a girl who doesn’t know what a Duke is’: The Buccaneers and Models of Cosmopolitan Thought,” Melanie Dawson, College of William and Mary

4. “Contexts Engendering Texts: Edith Wharton’s The Age of Innocence and Francesca Segal’s The Innocents,” Ferdâ Asya, Bloomsburg University of Pennsylvania

Friday May 24, 2013 9:40 – 11:00 am

Session 8-F Undine at 100: A Centennial Reappraisal of The Custom of the Country (Defender 7thFloor)

Organized by the Edith Wharton Society

Chair: Cecilia Macheski, LaGuardia Community College, CUNY

1. “A Novel for All Seasons,” Susan Goodman, University of Delaware

2. “Gate-Crasher par excellence: Undine and the 'Aborigines' in The Custom of the Country,” Maureen E. Montgomery, University of Canterbury, New Zealand

3. “Finding Undine: Narrative Sources and Strategies for The Custom of the Country,” Laura Rattray, University of Glasgow

4. “Technologies of Information: Gossip, Self-Revelation, and Social Media in Wharton'sThe Custom of the Country,” Gary Totten, North Dakota State University



Session 10-P Business Meeting: Edith Wharton Society (Baltic 7th Floor)

CFP: Edith Wharton and The Custom of the Country: Centennial Reappraisals

Edith Wharton and The Custom of the Country: Centennial Reappraisals

Symposium: 22 and 23 August 2013, Liverpool Hope University, UK

Symposium Directors: William Blazek (Liverpool Hope University) and Laura Rattray (University of Glasgow)

Call for Papers:

2013 marks the 100th anniversary of the publication of Edith Wharton’s much-read and much-analyzed novel The Custom of the Country. Described as the writer’s "greatest book" by Hermione Lee in her 2007 biography, and listed by Wharton herself at the end of a long and prolific career as one of her own favourite works, The Custom of the Country arguably remains the author's most complex and controversial novel.

To mark its centenary year, the symposium directors warmly invite papers on any topic pertaining to this landmark text. Themes might include: re-readings of the novel in the light of modern economic crises, serialisation, marketing and material culture, narrative strategies, modernist aesthetics, the challenges and rewards of teaching the novel, and reappraisals of Wharton’s most controversial female protagonist, Undine Spragg. Alternatively, discussions might be framed within the contexts of leisure-class marriage and divorce, masculinity, Europe, travel, or the visual arts. We also welcome broader comparative approaches, viewing The Custom of the Country in relation to other novels of the period, to other work by Wharton in any genre, or exploring the novel’s influence on contemporary writers and popular culture.

Co-sponsored by the Edith Wharton Society, the symposium will be held on the Hope Park campus of Liverpool Hope University, located within five miles of the Liverpool city centre. Moderately priced, ensuite campus accommodation will be available to delegates for the duration of the symposium. Day rates are also available. Keynote speakers for this event will be confirmed shortly. Further information and updates can be found on the symposium website: www.hope.ac.uk/custom

Please send 250-word abstracts for 20-minute papers (indicating any equipment/technical requirements), and a brief biographical note by the deadline of 15 April 2013 to the directors via e-mail: custom@hope.ac.uk

Sponsors: Liverpool Hope University and the Edith Wharton Society

Wharton Research Award and Mount Research Award Winners

Beinecke Wharton Collection Award: Melanie Dawson, College of William and Mary, “Ageist Modernity: Generational Obsessions in the Work of Edith Wharton and Her Contemporaries”
Dawson will examine Wharton’s letters and drafts of her later fiction for clues to the ways in which her sense of age, beauty, and women’s cultural position were bound up in one another and the ways in which her understanding of these issues may have changed over time and across manuscript revisions.

Mount Research Award: Kaye Wierzbicki, Harvard University, “‘Thinking Away the Flowers’: Edith Wharton and a Return to Form.”

In addition to the Mount’s physical gardens,Wierzbicki will examine Wharton’s annotations and markings in scientific and evolutionary texts and the extensive collection of horticultural and landscape design texts in her library, spanning subjects from arboriculture to irises and from Italian Renaissance gardens to Japanese rock gardens. Wierzbicki will consider Wharton’s thinking about the relationship between text and garden and between garden and nation.

The Edith Wharton Essay Prize

The deadline has been extended to May 30, 2012 for the Edith Wharton Essay Prize. Please encourage your colleagues and grad students to submit an essay.


The Edith Wharton Essay Prize

Deadline: May 30, 2012

Instituted in the fall of 2005, the Edith Wharton Essay Prize is awarded annually for the best unpublished essay on Edith Wharton by a beginning scholar. Graduate students, independent scholars, and faculty members who have not held a tenure-track or full-time appointment for more than four years are eligible to submit their work. The winning essay will be published in The Edith Wharton Review, a peer-reviewed journal indexed in the MLA Bibliography , and the writer will receive an award of $250.

All entries will be considered for publication in The Edith Wharton Review as well as for the Edith Wharton Essay Prize. Submissions should be 15-25 pages in length and should follow the 7th edition MLA style, using endnotes, not footnotes. Applicants should not identify themselves on the manuscript but should provide a separate cover page that includes their names, academic status, e-mail address, postal addresses, and the notation “The Edith Wharton Essay Prize.”

To submit an essay for the prize, send three copies to The Edith Wharton Review:

Prof. Carole M. Shaffer-Koros, Editor
Kean University, English Department
CAS 3rd floor
1000 Morris Avenue
Union, NJ 07083

Edith Wharton Review (Fall 2011) Table of Contents

http://www.edithwhartonsociety.org

Volume 27.2, Fall 2011

Faulstick, Dustin H. "'He that Loveth Silver Shall Not Be Satisfied with Silver'" Reconsidering the Connection between The House of Mirth and Ecclesiastes."Edith Wharton Review 27.2 (Fall 2011): 1-12.

Patten, Ann L. "'The Wanamaker Touch in Fiction' and Edith Wharton's Guide to Novel-writing in Hudson River Bracketed and The Gods Arrive." Edith Wharton Review 27.2 (Fall 2011): 12-22.

Raphael, Lev. "Writing Wharton's Wrong." Edith Wharton Review 27.2 (Fall 2011): 22-2.


Shaffer-Koros, Carol. "Wharton in New York." Edith Wharton Review 27.2 (Fall 2011): 23-24.

Goldman-Price, Irene. "Edith Wharton Collection Research Report." Edith Wharton Review 27.2 (Fall 2011): 24-25.

Olin-Ammentorp, Julie. Rev. of Edith Wharton and the Politics of Race by Jennie A. Kassanoff. Edith Wharton Review 27.2 (Fall 2011): 25-26.

Campbell, Donna. Rev. of The Unpublished Writings of Edith Wharton, ed. Laura Rattray. Edith Wharton Review 27.2 (Fall 2011): 26-27.

New queries at the Edith Wharton Society site

Please send any replies to whartonqueries@gmail.com for posting at the site.
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Edith Wharton's dogs

I am conducting research for an article to be published in 2011, commemorating the 125th anniversary of American Kennel Club recognition of the English Toy Spaniel (admitted 1886). I wish to include photographs of noted Americans with this breed in my article.

About 2 to 3 years ago, I saw a photo (possibly a post card or carte de visite) for auction on Ebay claiming to show Edith Wharton with her pet English Toy Spaniel [a.k.a. King Charles Spaniel; not to be confused with the Cavalier King Charles Spaniel]. Unfortunately, I did not win this auction and I cannot find this particular photo in any on-line archives. I have found photos of Edith Wharton with her Chihuahua dogs and a Yorkshire Terrier.

Is there a copy of this photo in the collection of the Edith Wharton Library/Archives? Can anyone confirm that she did indeed at some time own this breed as a pet? The photo on Ebay definitely depicted a lady of the era, certainly resembling Edith Wharton, with an English Toy Spaniel. I believe the dog was seated on her lap. This photo may have been taken after the author relocated to France. The dog is a small, flat-faced spaniel which could be easily mistaken for a Pekingese.

Any assistance would be greatly appreciated.

Sincerely,

Richard LeBeau
Pittsburgh, Pennsylvania
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"The Line of Least Resistance"

My name is quoted below and you can of course quote it, as well as my e-mail address. I am and have been all my life a passionate Whartonian, although I am better know throughout the world (this a true fact not a self-serving fancy!) as a biographer of Gustav Mahler (3 volumes of my biography have been published by Oxford University Press).

My mother was one of the two daughters of the hero (or rather anti-hero as we say in French) of the Wharton story The Line of Least Resistance but the story ended very differently in real life. My mother knew Wharton well and they must have met quite frequently in France, where Wharton spent most of her life, as far as I know. She was the main subject of my last conversation with my mother before my mother was killed in a car-accident in 1983.

I found a letter from James to Wharton which concerns "The Line". If further information concerning this story has survived, I would of course be very interested. I already know much of the truth behind the story, particularly why Wharton never followed James's advice of transforming "The Line..." into a novel, but I suppose all Whartonians know about this!

This is all for today but I would be very obliged to receive answers to this message

Henry-Louis de La Grange

Prof. H.L. de La Grange

Please reply to hlg@bluewin.ch

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Frontispiece for House of Mirth

I would like to know which image was used for the frontispiece for 'The House of Mirth,' the first 1905 edition. There are two major photographs presented as taken during this time (one with Wharton sitting at her desk, the other she is standing with a book).
Thank you

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"The Journey" I am leading a Book Club discussion on Edith Wharton's "The Journey". Could you tell me what year this short story was written? I understand it is part of The Greater Inclination, with a publication in 1916????

Thank you for your help - it is fine to publish this information.

Age of Innocence Reviews in British Periodicals

Was Age of Innocence reviewed in Cornhill Magazine, or any other contemporary British literary journal of comparable status?

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Bouguereau Venus

I am doing a research on art collectors Wharton knew and drew inspiration from for her characters.

In her autobiography she mentions an episode in which William Astor’s acquisition of a Bouguereau Venus was occasionally commented upon by friends and relatives; I have been looking in several publications and archives, but I have not been able to identify this painting; I’m also not sure if the Astor she might have been referring to was William Backhouse Astor or another member of the family.

I would really appreciate any information on the subject.

Sincerely

Elisabetta Mezzani

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Judith Fetterley on Wharton

I am looking for the article "The Temptation to be a Beautiful Object" by Judith Fetterley. I cannot find a book in print that includes this article, and I wondered if you could help. Thank you!

Katie Wickliff

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Edith Wharton's Will

What was the content of her will? Did her niece receive her possessions? Did she create the potion of literary executor?
Thank you
M Stalnaker

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"My Little Dog"

I am trying to find the poem “my little old dog:/a heartbeat at my feet. I am unable to retrieve it from the electronic text center. I am probably doing something wrong. Could you please help me or forward me a copy?

Thank you.

Susan Cook

walking.demi@yahoo.com

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"The Pelican"

Most critics believe that the lecture is satirized, but why does Wharton also give an account of the smug narrator who prides on his knowledge and assumes himself to be a savior? The pelican implies self-sacrifice, and is this also meant for satire? Also, how do we think of the lecturer's family traditon of learning? Does she try to find an excuse to maintain her literary identity? (Jane from Capital Normal University, Beijing)


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Spohr Symphony in Age of Innocence

In “The Age of Innocence” Book 2, XIX , 4 pages into this section the following passage occurs: “A long time had apparently passed since his heart had stopped beating, for the white and rosy procession was in fact half way up the nave, the Bishop, the Rector and two white-winged assistants were hovering about the flower-banked altar, and the first chords of the Spohr symphony were strewing their flower-like notes before the bride.”

I am a member of the Spohr Society of Great Britain and as such am interested in all references to the composer in literature. My question is, which Spohr symphony is referred to? Spohr’s work is rarely played these days, especially not at weddings, but it must have been sufficiently standard a part of American wedding services at the period the novel was set in for readers to know, without having it specified, which work it was. Can any member throw light on this?

Many thanks

Mike Jarman

mike.jarman@btinternet .com

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Edith Wharton Design Award

I am doing research on Edith Wharton and came across a reference to John Loring of Tiffany fame who was given the Design and Art Society's Edith Wharton Award of Excellence in 1988. I would like to know there if there is any specific information about this particular award — how it came to be — and perhaps other recipients.

Thank you for your kind attention —

Best,
Miriam Berman
Author, Madison Square — The Park and Its Celebrated Landmarks

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Detailed bibliography of publication dates for Wharton's serial novels

For a researcher at our university, we’re seeking a detailed bibliography for Wharton’s serialized novels’ publication schedule. For example, for the “House of Mirth,” it would give each issue (date, page numbers) of Scribner’s Magazine in which that novel was serialized.

We’ve found many more general lists that tell the months and years a novel was serialized, but are hoping that someone might have compiled this more complete and specific data.

Thank you!

Mary Molineux, msmoli@wm.edu


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Wharton poem on dogs

I am trying to find the poem “my little old dog:/a heartbeat at my feet. I am unable to retrieve it from the electronic text center. I am probably doing something wrong. Could you please help me or forward me a copy?

Thank you.

Susan Cook, walking.demi@yahoo.com

Wharton site available; Wharton in Florence 2012 site

The Edith Wharton site is now available at its usual spot: http://www.edithwhartonsociety.org. Also, the conference site for Edith Wharton in Florence 2012 is available here: http://wharton2012.wordpress.com.